Sacra Pagina: 1, 2, and 3 John
John Painter
The Johannine Epistles are today read as an important part of the Johannine literature. Yet the meaning of the text is often unclear. Part of the problem arises because, although 1 John is called an Epistle, it lacks the formal marks of an Epistle. In 1, 2, and 3 John, John Painter illuminates the relationship 1, 2, and 3 John have to each other and to the Gospel.

Painter explains the historical context of the Johannine Epistles using a socio-rhetorical approach. The writings are shown to reflect a situation of conflict and schism within the Johannine community; they seek to persuade the readers of the truth of the writer's message. In this truth, the readers are encouraged to abide if they would have the assurance of eternal life.

Painter also examines the inseparable connection between belief and ethical life in active love for one another. Through the socio-rhetorical approach Painter brings to light the continuing relevance of these writings.

1, 2, and 3 John is divided into two parts. Chapters under 1 John are “Introduction to the Exegesis of 1 John,” “Outline of 1 John,” “First Presentation of the Two Tests (1:6-2:27),” “Excursus: Sin and Sinlessness,” “Excursus: Love of the Brother/Sister: of One Another,” “Excursus: The Antichrist,” “Second Presentation of the Two Tests (2:28-4:6),” “Third Presentation of the Two Tests (4:7-5:12),” “Conclusion (5:13-21), and “Excursus: ‘A Sin Unto Death.’”

Chapters under 2 and 3 John are “2 John,” “Introduction to the Exegesis of 2 John,” “Outline of 2 John,” “Prescripti 2 John 1-3,” “Body of the Letter (4-11),” “Notice of Intention to Visit (12),” and “Final Greetings (13),” “3 John,” “Introduction to the Exegesis of 3 John,” “Outline of 3 John,” “Prescript: 3 John 1-2,” “Body of Letter (3-12),” and “Final Greetings (13-15).”

John Painter is the Foundation Professor of Theology at Charles Sturt University in Canberra, Australia.

"John Painter is a careful and thorough scholar. His latest work must be considered a major commentary on the Johannine Epistles. Building on sound traditional scholarship, Painter’s commentary dialogues with the most recent proposals regarding both method and content. The introduction is particularly thorough and of considerable value by itself. It is a commentary which must be taken into account in future study of the Johannine letters. It is also a first-rate contribution to the Sacra Pagina series, a series already marked by a number of excellent commentaries."